SPLIT TAPE on INFRA EDICIONES


SPLIT TAPE

Ayato & Anton Mobin
Released on C60 by Infra Ediciones
20 copies


Side A
Face à Face - Ayato

1. Episode 1_Season 2 (29:59)

Cut up recomposition series recorded and mixed at La Ferme Là, Olivet, France in 2015.
Consists of playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played au grés du vent with the others devices. L‪oops have been created during the mixing process. ‬Cassettes are from private collection, gifts, prepared and found tapes, archives...
Suite for episode 1_season 1 released on Kassette kult tape.



Side B

Idiomatic Extension #2 - Anton Mobin

1. Unrest (8:29)
2. Tounikel (2:59)
3. Autre Attitude (6:20)
4. Dron't (11:44)

Analog live looping recorded at Plateforme, Paris on 18th July, 2015
Cassettes, endless tapes, coil microphone, contact microphones, tape head, mini-cassette, larsenophone.

details:

Track 1 : in the serie "what remains on the tape?" after my last concert, i used to play and dervish my endless tapes improvising a piece with them. That time we listen to Maurice Charles Jj on sopranino saxophone recorded live on endless tape during our last gig in Brussels.

Track 2 : tape head play the role of a body contact and provides a beep ! we listen at the end the soprano of the first track re-recorded and transformed as another extension of the same sound.

Track 3 : a found mini-cassette of my grand-father leaving discover a bloody family messy affair (not our) recorded through the phone…

Track 4 : bass drone and low rhythms obtained with the coil microphone fixed on the various power supplies of the magnetophones.



MANY THANKS TO ARTURO ORTEGA AT INFRA EDICIONES !

UNE ODYSSEE_installation vidéo de Malik Nejmi_Galerie du jour agnes b. du 6 juin - 31 juillet 2015

video

oeuvre réalisée durant la résidence Tara Méditerannée en novembre 2014

Musique, Laurent Durupt
Voix, poème, Touda Bouanani
Montage, Cyril Curchod
Mixage, aYaTo

https://vimeo.com/124222758

100 pas presque_Cie Anania_Centre Chorégraphique National Orléans



 performance le 10 juin 2015, 18h, place du martroi_Orléans.

 http://taoufiqizeddiou.com/
 http://www.josefnadj.com/

Classwar Karaoke - 0030 Survey

                                3 tracks on survey 0030 :::with:::

                       Thanato Twist wOss; Naoki Ishida & Pierre Fablet


Classwar Karaoke Survey 0030 Cover by Anthony Donovan/Jaan Patterson


RED_Control rec.played


eg0_139a

a new sound collaboration with Naoki Ishida.

Ayato : Field recordings, guitar, mixing
Naoki Ishida: Field recordings
http://ishidanaoki.net/

Mixed by Ayato @ la Ferme-là, 2014-2015

**free download on egocide prod**

https://archive.org/details/eg0_139

http://eg0cide.com/

4160_TRIENNALE D'ART CONTEMPORAIN DE VENDÔME -23 MAI >30 OCTOBRE 2015




Résolument art contemporain, la Triennale de Vendôme (1ère édition) présente, du 23 mai au 31 octobre 2015, un panorama de la création en région Centre-Val de Loire. 25 projets - sculptures, installations, vidéos, photographies, peintures, dessins…, le film-installation de Malik Nejmi "4160" monté a la Villa Medici y est présenté au manège Rochambeau.
Ouvert à tous les publics, la Triennale de Vendôme constitue l'un des rendez-vous culturels 2015 de l'art contemporain. Entrée libre.

Publication coédition HYX/Emmetrop. Sortie en juillet 2015.


Ici ... pourquoi tu ne danserais pas ?

                   Les brindilles folles présentent 
                Ici ... pourquoi tu ne danserais pas ?  
         avec Sandrine Maire et Christine Desfeuillet

   au jardin rue Edouard Fournier à 21H15 vendredi 22 mai.

 

 http://www.christine-desfeuillet.com/


XUL VII



Samedi 4 avril, 20:00, salle C11
"...la boucle, la ritournelle, la répétition ou le larsen..."
CRASH DUO (Ayato, revox & Anton Mobin, cassettes) au milieu du "Monolithe du Califat", une installation de Philippe Coudert


Xul est un espace de liberté créé pendant quelques heures au milieu de la ville d’Orléans. Les artistes professionnels, amateurs, et même ceux qui n’ont pas la mention « artiste » dans leur fiche de référencement administratif sont invités à présenter ce qu’ils ont dans le cœur ou la tête.

Expositions diverses et variées, travaux finalisés ou en cours, performances sonores, corporelles et bien sur les éternels bars à boissons et bar à soupes pour la convivialité qui est un des pilier de Xul.


Line UP

18h, 18h30, 18h45, 20h30, 22h, Ici…, pourquoi tu ne danserais pas ?
18h et 19h Enlivrement, une performance de Sandrine Leturcq,
19h30 Dialogue, une performance sonore et vidéo de Reminuscule et Sandra Gaillardon
20h Crash Duo
20h30 Emballage (en D3)
21h Le Kube
21h30 Jean Louis Costes (dans le garage).
22h40 Nocturne (dans le garage).
23h20 Doz3n (dans le garage).



Au programme (pour l’instant) :
Les origines du monde et de la guerre, tableaux d’SB/OB,
Affichage et canard sauvages, exposition photographiques alcoolisée d’Olivier Baudu,
Flower Power, une installation de gravures de Segolène Garnier et Laura X,
Ma quête, une sculpture cinétique et plus d’Olivier Morvan,
T.A.R.D.I.S. une installation sonore et interactive de Camille Dianoux et Florent X,
Le marteau de Schumann, l’installation finale de b01,
Hey Stamp ! , une installation de gravures de Fabien Krauze,
La nécro culotte islandaise, une bio-s-cul(p)ture de Guillaume B,
ArchiBooKidz, un projet polymorphe autour des architectures dans la littérature enfantine de Charlotte Gaillet, Lucie Cluzan et Violaine Labaume,
Xul Pix Collector, robot extracteur d’archives fraîches de François Marie Billard,
Monsieur Chien, collage de couloir de Yel Fox et Anonyme,
Batutopia, une installation de Marek Zaroslinski,
Phénix, une installation d’art numérique de Sylvain Blocquaux,
Fin de contrat, un travail photographique de Aude Mahu,
Génération V, une surprise de Yves Duranthon,
Le Kube : paysages intérieurs, une performance de sound painting de Patrick Sintes, Yann et Christine Desfeuillet,
Lichens métamorphiques, une installation vidéo de Peter Briggs,
J’aime demain, une installation du collectif THH [collectif pour un transhumain heureux],
Le monolithe du califat, une sculpture vidéo-mappée de Philippe Coudert / Crash Duo Live,
Mike, le poulet sans tête, une recherche documentaire de Ale,
Nuage, une installation fumeuse de Ale,
Ouverture(s), une exposition photographique d’Aline Villain,
Sans titre, exposition photographique de Florence et de l’association Basarts,
Sans titre, une fresque évolutive de Sandra Gaillardon,
24h, portraits photographiques d’une journée par Géraldine Arestéanu,
XUL SWEATSHOP, performance textile de La Ressource AAA,
Les 7 principes de la philosophie Xul – projection d’une discussion par Thomas Charmetant,
Panier-Panio, seconde partie du double album d’Olivier Baudu,
Expérimentation sans titre 2015, installation vidéo interactive de Sengthe Vanh Bouapha,
Bleu est mort, installation peinture et vidéo de Daniel Caspar,
Multi art development, boom, installation et projections vidéo par Notone.


http://crashduo.blogspot.fr/

http://xul.philippecoudert.com/blog/2015/03/04/xul-vii/

SPLIT SHEMA ON Kassette Kult Tapes





SPLIT SCHEMA
Anton Mobin & Ayato
C60, cassette released on Kassette Kult Tapes
CD-R & download on HaltapesArtwork : Anton Mobin & Ayato


Side A
Extension Idiomatique - Anton Mobin

1. Sauvage Stone Ondëk
2. The Right Up
3. Eco Ero
4. C'est Mal Parti
5. Return Loads
6. Vie Prochaine
7. Cross Complex

Live looping experiments and interaction between tapes, cassette players and microphones recorded and mixed at the Maïzing Studio, Paris, France in December 2014. 
Composed with Sony TC-D5M magneto, Sony TCM-939, Walkman Sony TCM-400DV, unbranded frontless walkman, Olympus S907 feedback dictaphone, Silver Tooth voice recorder, tapehead with some transportation tickets, radio, Coil Eagle, Sony ECM-719 and two Rode NT5 microphones. 
Cassettes are blank tapes, homemade endless tapes and hanwritten tapes by degradation with a knife of the iron oxide content in the magnetic tape.

Side B
Face à Face - Ayato

1. Episode 1_Season 1

Cut up recomposition series recorded and mixed at La Ferme Là, Olivet, France in December 2014.
Composed with a Yamaha MT120 multitrack recorder, a Fostex X-28H multitrack recorder, a Walkman Sony, a bent recorder Philips and an echo chamber Dynachord.
Playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played au grés du vent with the others devices. Cassettes are from private collection, gifts, prepared and found tapes, archives...





MANY THANKS TO HAL McGEE !

I morti non sono morti-Les morts ne sont pas mort.


video


better quality here:  http://vimeo.com/113370229

FILM BY MALIK NEJMI (2015)
LOOP OF 25 MIN.
Video HD 2K, color, sound
projection of 6m, 4 speakers
résidence Villa Medicis Academie di Francia 2014
Programme Hors les murs 2015
Fonds National d'Arts Graphiques et Plastiques
Institut Français de Florence
Kulte Gallery
Production Imagin film Paris
Productrice Anne Laure Dagorn
Directeur de la Photographie : Frederico Martucci /
Ingénieur du son : Alessandro Rolla /
Assistant : Giuseppe Spanpinato
Monteur : Cyrill Curchod
Musique et sons : Mathieu Gaborit

The figure of the african street vendor is for me, central to the collective and popular representation of our contemporary world. I admire the courage of these young Senegalese vendors, their way of life and their careers are in the image of the trial they live.
Italy is following the assassination of Samb Modou and Mor Diop in Florence in December 2011 (the murderer belonged to Casapound fascist party), I started to approach Senegalese street vendors of the Florentine city. Following a year of commemorations, I attended a mosque in a very moving collective prayer in memory of "those who where dead". In talking with my friend Souleymane, the brother of one of the victims I realized that this prayer was not relieved families and they expected this year, two years later, to pray their dead as they should in Senegal: all men read the Koran together by sharing traditional offerings.
The title refers to a poem Birago Diop "The dead are not dead," which was regularly utlise speech in 2011 by Mr Pape Diaw, then head of the Senegalese community of Tuscany, to calm the youth during the riots nights that followed this terrible murder ... In a moment of collective struggle and pure memory, the film (a remounting sequence) tries to show the challenges between religion and politics in the Italian Senegalese community. This is a single time when families were allowed to leave this film particularly moving moment in view of the protagonists suffered by racist events. For most, this prayer turn them to real transition, to the concept of "forgiveness" and tgives us the exemplary value of integration behaviors while giving measure of anxiety that sprang from this community. Again, this film is showing us the political fight of black community inItaly actually.
"This is a moment of pure memory. Variations in voice Mr Idy Diene (brother victim) singing suras, when it collapses, where it supports the gradual arrival of men passing throughthe fixed field of the camera, the gradual rise of the reading of the Koran several voices (thirty) and the slow descent to the last word, then, silence, sharing gifts
and discussion with the marabout in the room, the answers to the marabout hearts of men ... all a rhythm independent film, a film whose length is dictated solely by the need to support the players, bring them to the end. Leaving one by one the small mosque illegal, people thanking us the way.
The group was also giving the image of a huge raft in the middle of trial. Today the video runs in families returned home between Dakar and Florence, I like the idea that the film accompanies life in all these tests. Today it is both a valuable document for the history of Senegalese in Europe, and a film that has nothing to do with contemporary art but how traditional devices of museum demonstration of cinema and languages of the reel." Malik Nejmi